Shopping for that new camera, lens, tripod, or photo accessory? The gear-hunting phase is an exciting time for any photographer – but it can also be intimidating, especially if you’re planning to spend hundreds or even thousands of dollars on your next purchase. You want to make the right decision, but given the array of options, it’s easy to feel overwhelmed.

Fortunately, I’ve bought a fair few items of camera equipment myself, and I’ve identified plenty of gear-purchasing pitfalls along the way. In this article, I discuss the 10 most critical mistakes to avoid when shopping for new equipment; that way, you can stop yourself from making frustrating decisions that ultimately cost you time, effort, and money.

Let’s dive right in!

1. Taking advice from the wrong person

It’s normal – even wise – to ask for other people’s advice before finalizing a major buying decision. However, it’s important to get advice from the right sources. Don’t simply listen to folks who sound like they know what they’re talking about; instead, make sure they actually know their electronic viewfinders from their electronic front-curtain shutters.

So once you’ve found a potential advisor, ask yourself: Is this person really an expert? Are they someone who genuinely knows their way around a camera? Do they actually understand all of the features associated with the item I’m shopping for – and do they understand the features well enough to have an informed opinion?

If you can’t give a confident “Yes!” answer to each of these questions, you may want to reach out to someone else. Because while there are plenty of photographers out there who know a thing or two about camera equipment, it’s essential that you speak with someone who can understand your unique needs – and the many ways that your needs differ from theirs.

On a related note, avoid buying anything just because a photographer you know has it or because all the online reviews say it’s the best gear on the market. Ask questions to trusted experts, and even then, don’t take their thoughts as gospel; instead, use the advice as a great tool to help you make a decision. Remember: Even the best advice isn’t a substitute for research and careful comparison shopping.

2. Forgetting to check for compatibility

You might think all camera equipment plays nice together. Unfortunately, that just isn’t true. Ever tried attaching a Nikon lens to a Canon body? It’s like trying to fit a square peg into a round hole. Don’t even get me started on third-party gear. While third-party companies often offer lens models for multiple camera brands, you have to purchase the right variant; otherwise, the lens you receive will be useless.

APS-C lenses are another good example. They might be from the same brand as your full-frame camera, but pair them together and you’re asking for trouble. These lenses are designed for smaller sensors, so if you stick them on a full-frame camera, you’ll either get dark corners or the lens won’t work at all.

Memory cards can be difficult to work with, too. They might look like they fit, but lots of memory cards are designed the same, and looks can be deceiving! Accessories like flashes and remotes can be just as finicky. Sometimes they’re brand-specific; other times, they’re model-specific.

Finally, consider batteries; here, using incompatible products can do more than just fail to power your camera. They can actually damage it.

So how do you steer clear of these pitfalls? Always do your research. Don’t just glance at the product listings or online specs. Dive deep. Check reviews, ask questions in forums, and if all else fails, consult the manufacturer’s website. A few extra minutes now can save you from a world of hurt later, especially if returns aren’t an option.

3. Assuming that cost equals quality

Yes, good-quality gear should be considered an investment, and if you’re a professional photographer (or you’re planning to become one), you often will need to spend several thousand dollars to create a basic setup. However, it’s important that you don’t simply assume that a higher price tag automatically means you get a better item.

Even if money isn’t an issue for you, some high-quality gear actually costs less than its lower-quality counterparts, especially if you buy third-party. Additionally, paying more doesn’t guarantee that your purchase will actually meet your needs. A camera might cost more due to its dozens of impressive features, but if those features are worthless to you, is it really worth buying?

And a pricey camera doesn’t guarantee you the spectacular photos you’ve been dreaming about, either – because the best photography equipment is only as good as the person actually taking the photos.

Here’s my advice: Focus less on the price tag and more on whether or not a given item is right for you. Ask yourself: Does this equipment fit my current skill level? Am I familiar with all of the functions and tools? Is it a good fit for the type of photography I do?

At the end of the day, dozens of bells and whistles and lots of different settings won’t do you any good if you don’t use them or don’t understand them!

4. Buying “hype” products without doing research

Each year, there are a handful of products that promise to transform your photography with a revolutionary new effect. But while these “hype” products – such as a lens with an intriguing focusing effect or a one-size-fits-all accessory – can seem tempting, it’s important to take a step back and make sure you know what you’re getting into.

Some of these products do offer novel experiences and can even introduce you to a style of photography you’ve never tried before. But it’s important to ask yourself: how much will I actually use this product? A soft-focus lens might be fun for the first few days but lose its appeal quickly.

Other hype products are just plain bad. Ever looked at ultra-compact tripods? While these products often promise to combine stability and portability, many skimp on essential features. You might find that the tripod is wobbly or lacks the height and head movement you need. And then there are creative filters. They might promise to make your photos look gorgeous, but some can degrade image quality.

So what’s the solution? Spend time really considering each product before buying. Look for unbiased reviews, preferably ones that show real-world examples. Ask yourself: Do I plan to use the product long-term? If it’s going to sit in a drawer, it might not be worth your cash. And always weigh the pros and cons. Sometimes a product’s limitations are deal-breakers; other times they’re just minor annoyances.

5. Failing to budget properly

In life, proper planning is often the key to success, and shopping for photography gear is no different. A big part of the planning phase involves budgeting, and there are a number of common mistakes you can make in that arena.

For one, a lot of shoppers fail to factor in the full cost of accessories. A good landscape photography setup, for instance, requires a high-quality camera – but it also requires several lenses, batteries, a tripod, memory cards, and more. It’s easy to fixate on the camera and/or the lenses, then run out of money before you can purchase the (still essential) tripod, memory cards, etc. And as our guide to gifts for photographers shows, there are plenty of other handy accessories that you may wish to invest in.

Therefore, before you buy any new gear, I’d recommend writing out a list of everything you might need, and identifying exactly how much your entire setup will cost.

6. Purchasing redundant gear

You’ve got your eye on a new camera, lens, or accessory, and you’re convinced it’ll take your photography to new heights. I certainly know the feeling – but before you make the purchase, make sure you don’t already own gear that can already achieve the results you want.

Let’s say you have a 50mm f/1.8 lens. It’s solid, reliable, and takes great photos. But then you see a 50mm f/1.4 lens. Sure, it’s faster, but the real question is, will you notice the difference? Is it worth the added expense? Often, the answer is no.

The same goes for zoom lenses. If you’ve got a quality 24-70mm zoom, buying a 16-35mm might seem like a good idea. But think about it. How often do you shoot at those wider angles? Sometimes it’s more about the photographer than the lens. If you know how to frame a shot, you can make do with what you already have.

Before making any new purchases, look at your existing gear. List what each item does well and where it falls short. If there’s a real gap, then by all means, fill it. But if you’re just doubling up on capabilities, think twice. Sometimes, less is more.

7. Becoming distracted by bargains and specials

You’re finally ready to walk into the photography shop and make your purchases. You’ve done your homework. You’ve figured out which camera is right for your requirements. You’ve even picked out accessories and other tools to go with it. You know exactly what you want.

Then you head into the store, and you’re confronted with a dozen signs advertising special deals on gear galore! It’s easy to lose focus, but I implore you: Remember what you came for!

Never buy any piece of photography gear just because it’s displayed under a flashy sign or because a salesperson insists that it’s what you absolutely must have. If something sounds way too good to be true, it probably is. Keep your eye on the prize, and make sure you walk out of that shop with the gear that you actually need.

8. Buying low-quality budget products

As I discussed in the previous tip, we all love a good deal. And there are very tempting products that promise to deliver incredible quality at an unbeatable price.

Now, it’s true that cost doesn’t equal quality. There are plenty of outstanding products that cost less. On the other hand, some budget products are simply cheap, and if you’re not careful, you’ll end up spending all your cash with nothing to show for it.

Take third-party lenses as an example. Brands like Tamron, Sigma, and Tokina make some pretty stellar products. But not all budget lenses are created equal. Venture too far into the low-cost realm and you’ll start to see a noticeable drop in quality. Images will look blurry, or the build quality just doesn’t hold up. Before you know it, you’re back to square one, only now you’re out fifty bucks.

Filters can also be a trap. You might find a $15 ND filter on eBay and think you’ve hit the jackpot. But you get what you pay for. Cheap filters can actually degrade your image quality, turning a good shot into a subpar one.

Once again, always do your homework. Read reviews, compare products, and consider your needs. Make sure the low-cost option is genuinely worth it before clicking that “buy” button. Trust me: your future self will thank you.

9. Getting ahead of yourself

Most of us have big photographic dreams that we hope will come true someday. Maybe you want to become a professional travel photographer, and you picture yourself flying from location to location with a bag of camera gear in tow. Maybe you hope to become the next professional basketball photographer for Sports Illustrated, and you imagine yourself with a rugged camera, a half-dozen super-telephoto lenses, and a sturdy monopod.

While those dreams are great – and are an excellent way to keep you motivated – it’s important to ask yourself whether they’re likely to come true in the near future before you sink a ton of money into that pro-level gear.

If you’re brand new to photography, for instance, you probably shouldn’t spend $4000+ on a camera, even if it’s the most popular model used by professional travel shooters. And if you’ve only ever used your iPhone to take photos, you probably shouldn’t fork over $8000 for that incredible super-telephoto lens.

Basically, don’t get too far ahead of yourself. It’s good to dream, but shop according to your current needs and skill level, not what you’re hoping they’ll be someday in the future. It may not seem like it, but catering to your current skills will make you more likely to be happy with your purchases now and in the future.

10. Investing in gear instead of education

Last but not least, let’s talk about the urge to buy gear as a quick fix. We’ve all been there. We see an amazing photograph and think, “If only I had that lens, I could do that, too.” But here’s the thing: gear is just a tool. It can’t make up for a lack of skill.

Photography is about more than just a fancy camera or lens. You need to understand lighting, settings, and composition. If you don’t, even the best gear won’t help you. How you use what you have is what truly matters.

So what should you do instead of splurging on new gear? Consider investing in education. From in-person workshops to online courses, there are plenty of ways to up your photography game. You can even find free resources if you’re on a tight budget. (Just check out all the in-depth articles offered by dPS!)

Before you swipe that credit card for another lens, ask yourself: Would this money be better spent on a course or workshop that could elevate all my future photos? Often, the answer is yes. Investing in learning can provide returns that last a lifetime, long after the new gear smell has faded.

Mistakes when buying camera gear: final words

And there we have it. If you’ve made it this far, give yourself a pat on the back. You’re now armed with knowledge that can save you not only money but also a great deal of frustration. The path to becoming a skilled photographer isn’t just about the hardware in your bag; it’s about making wise choices every step of the way.

The allure of that new lens or state-of-the-art camera can be irresistible. But knowing what to avoid can be just as valuable as knowing what to buy.

So remember the advice that I’ve shared. Make sure to think about your budget, identify your current needs, and whatever you do, don’t get distracted by sales and bargains!

That way, you can get the gear that will best suit your photographic talents.

Now over to you:

What gear do you plan to buy? Do you have any additional tips to keep in mind? Share your thoughts in the comments below!

The post 10 Mistakes to Avoid When Buying New Camera Gear appeared first on Digital Photography School. It was authored by Peter.

These days, you don’t need professional photography equipment to take stunning photos. The smartphone in your pocket has the power to capture the kind of high-quality shots you can find in magazines – and it’s extremely easy to use, too!

That said, smartphone photography involves more than grabbing that iPhone or Google Pixel, turning on the camera, and pointing it in the right direction. To take great photos with a smartphone, you’ll need to think about a variety of elements, including composition, lighting, and exposure settings. You’ll also want to consider the capabilities of your specific model and even think about purchasing an accessory or two.

In the following sections, I’ll share everything you need to know to tap into your smartphone’s photography potential. From choosing the right smartphone photo gear to understanding the various Android and iPhone modes and settings, I’ll carefully guide you through the process. I’ll also share with you some simple tips so that you can get started creating awesome, beautiful, and memorable mobile phone photos of your very own.

Now grab your smartphone and get ready to explore the power of photography. No matter your skill level, there’s something here for you. Let’s dive right in!

Key reasons to use a smartphone for photography

If you’re reading this article, you probably already know that smartphones come with some major advantages compared to traditional cameras like DSLRs and mirrorless models. But before we delve into the nitty gritty of smartphone photography, I’d like to emphasize a few particular reasons why a mobile phone can outcompete a professional camera.

First and foremost, the portability and convenience of having a camera at all times are hard to beat. Your smartphone is always with you and is always ready to capture those unexpected moments, whether you’re on a train, a plane, stopped at a light, or in the middle of your lunch break.

Second, the various built-in features and modes offered by smartphones – such as Portrait mode, HDR settings, and Night mode – can enhance the average beginner’s images above and beyond the shots they can take with, say, a DSLR. Yes, an experienced photographer with an expensive camera could create similar effects with a careful approach and equally careful editing, but it takes time and a lot of effort to get to that point.

Third, a smartphone allows you to capture, edit, and share photos all in one place; in other words, it’s a one-stop shop for photography. Imagine being on a trip, capturing a breathtaking sunset, editing the image, and sharing it with friends and family on Facebook – all in the span of about 10 minutes. This type of ultra-integrated shooting certainly isn’t possible on a DSLR and is one of the unique benefits of smartphone photography.

Finally, the cost-effectiveness of smartphones compared to professional camera gear is also a significant advantage. Non-smartphone photography can be an expensive hobby, especially when you factor in lenses, tripods, and other accessories. However, most folks already own a smartphone that takes solid photos – and even if you’re looking to upgrade so you can achieve the best possible shots, it still won’t cost you an arm and a leg.

How to pick a smartphone for photography

You can capture great photos with pretty much any smartphone. But if you’re looking to capture ultra-clean images and gain access to cool features, you might want to consider an Android or iPhone device with photo-centric capabilities.

Here are a few key factors to consider when choosing the best smartphone camera:

Image quality

Not all smartphone cameras produce equally high-quality photos. Resolution is one factor to consider here; more megapixels are often better, especially if you want to be able to crop your shots without dramatically degrading the quality.

You should also look for a larger sensor, which will – all else being equal – allow you to get sharper, more natural images when photographing in darker areas. Image stabilization can also come in handy, especially if you often end up with blurry photos in low-light situations.

Focal length flexibility

Many smartphones offer more than one camera. In addition to the ubiquitous standard camera, you might find a phone with a wide-angle and a telephoto camera, or even an ultra-wide or an ultra-telephoto camera. Wider cameras are perfect for landscapes, while telephoto cameras are ideal if you want to photograph tight portraits and distant subjects.

As you consider different options, think about the camera type(s) that best suit your interests. More cameras usually mean more flexibility, but make sure to look at the specs of each one. The image quality can often vary from one camera to the next, meaning that a 48 MP standard camera does not guarantee 48 MP telephoto images.

Additional features and modes

Think about additional features that might help you with your photography. If you want to photograph stationary scenes at night – such as cityscapes from an apartment window – a night mode can make a huge difference. Portrait mode can add depth of field effects, while panorama mode is perfect for those wide scenic shots.

These additional modes and features can take your photography to the next level, but not every smartphone boasts every feature. Make sure that the device you pick gives you everything you need to capture the shots you want to create.

Cost

Determining your budget is crucial, as smartphones can vary wildly in price. You’ll want to think about a range that you’re willing to spend, then look for the best value within that range. And don’t just think about the cost of the phone itself. Consider the total cost, including potential accessories, image-editing app subscriptions, and so on.

If you don’t have the budget to purchase a shiny new model, older models with strong camera features are definitely worth considering. It’s all about finding the right balance between what you want and what you can afford!

Smartphone photography accessories: Are they necessary?

If you’re just getting started with smartphone photography, it’s fine to shoot with only your smartphone. However, once you become more familiar with your phone camera, and especially if you want to specialize in certain photographic genres, you may want to consider purchasing an accessory or two.

Now, I’m not saying you should rush out and buy every gizmo and gadget on the market. Far from it. Instead, start by understanding your interests. Are you into sprawling landscapes or close-up flower photos? Depending on your answer, your smartphone setup should look quite different.

As you grow more confident and your skills start to increase, you can begin to build your kit. As you do, here are a few items worth considering:

A tripod

Stability is key in photography, especially for long-exposure shots, and that’s where a tripod comes in handy. If you’re shooting a scene and you want to show off movement – like a stream running through a valley – a tripod will keep your smartphone camera motionless as it records a photo for several seconds.

Additionally, a tripod allows for consistent framing when capturing several shots that you hope to blend together; this is key if you want to create stunning time-lapses.

Look for portable and adjustable options. Some tripods even come with Bluetooth remotes, allowing you to take photos from a distance without touching your phone. You can simply mount your smartphone on the tripod, step back, and use the remote to capture the perfect moment without worrying about camera shake.

Clip-on lenses

Perhaps you’re looking to capture ultra-wide landscapes, detailed macro images, or photos of skittish subjects? If that’s the case, clip-on lenses can help you out by enhancing your smartphone’s capabilities. They come in various types, including wide-angle, fisheye, macro, and telephoto, and they can certainly give you some extra focal length flexibility when shooting.

Before buying a clip-on lens, however, ensure compatibility with your smartphone model. Additionally, the quality varies wildly from lens to lens – this is something that I have plenty of experience with! – so it’s wise to read reviews and maybe even test out a few options before investing.

Portable lighting

While professional photographers often love to use studio lighting, even serious iPhone and Android photographers tend to shy away from most forms of artificial light. It cuts down on portability, and it generally doesn’t look that great.

That said, portable lighting solutions are sometimes useful for smartphone portrait and smartphone product photography; in particular, they can significantly improve lighting for indoor or low-light shots.

If you need an artificial light boost, consider LED ring lights or small portable LED panels. Some even come with adjustable color temperature for creative control. These tools can help you manage shadows and highlights in a way that helps you craft the mood you want to create, and they’re designed to be ultra-lightweight and compact.

15 tips to level up your smartphone photos

Now let’s take a look at the tips, tricks, and techniques you can use to capture beautiful photos using your smartphone, starting with:

1. Clean your lens

This tip is extremely basic, but you will be amazed by the dirt and grime that accumulate on your smartphone lens. (When I reach for my phone, I often find lots of smudges and dirt caused by my kids, my pockets, the environment, and more.)

So do yourself a favor and get in the habit of quickly wiping your phone lens before beginning a photoshoot. It’ll make your photos look so much sharper!

Note that you’ll want to pay especially close attention to your smartphone camera lens during bad weather; if you’re photographing in the rain, for instance, a single drop of water can turn the whole shot blurry. Make sure you wipe that lens clean at least every few minutes!

2. Tap the screen to set focus

Typically, when you point your smartphone at a subject, the camera will guess what you want to photograph. For instance, if it recognizes faces, it’ll focus on the faces; if it recognizes a person, it’ll focus on the person.

This method of autofocusing can work well, especially if you’re photographing a clear scene with an obvious main subject. But when the scene is more complex – you’re photographing a bird surrounded by trees, for example – your smartphone may get the focusing wrong, and the shot will turn out blurry.

So what do you do?

Instead of letting your smartphone’s algorithms determine your point of focus, simply tap on your subject, and then – voila! – you’ll get a sharp result.

Note: If you want extremely fine control over your smartphone’s focusing – such as when you’re doing close-up photography – there are a variety of camera apps that allow you to focus manually so that you can rack the plane of focus back and forth until you get the results you’re after!

3. Don’t use flash

Your smartphone camera has a flash, but it really, really sucks! Sorry – there simply isn’t a way to sugarcoat it: The flash on your phone camera is not flattering for photos, whether you’re shooting in the daytime, late at night, landscapes, flowers, or portraits.

So whenever you’re shooting, keep that flash off. Instead, use natural light for great results. For instance, shoot in the early morning or the late evening to get beautiful golden lighting, or work on cloudy days for soft, evenly lit images.

And if you desperately need extra light, invest in lighting accessories designed for smartphones, such as an LED ring light.

4. Discreetly take photos by pressing the volume buttons

Sometimes, the perfect shot requires a touch of subtlety – such as when you notice a beautiful scene while out walking, or if you’re watching your kids do something especially cute. In such instances, using the volume button to take photos is a great way to capture the image without disturbing the subjects or making them feel self-conscious.

How does this work? Some smartphones automatically set the volume buttons as an alternative shutter control, while others don’t default to this option but do let you set it up on your own (this process is simple and usually involves togging an item in the camera settings). Then, with your smartphone set, you can discreetly raise your camera and nudge a volume button upward or downward.

Remember, the key here is to use this technique with care and ethics. The goal isn’t to make your subjects feel uncomfortable!

5. Manually set the image brightness

Did you know that you can set image brightness (i.e., image exposure) manually?

It’s true, and you can use this function to control the level of detail that will appear in the final photo.

The details depend on your specific smartphone model, but try tapping on the screen, then look for some sort of exposure symbol (such as a sun). Swipe up (or drag the corresponding slider) to brighten the exposure, and swipe down (or drag the corresponding slider) to darken it.

Note that the general goal is to keep as much detail as possible in the final image. However, you can also deliberately brighten or darken an image for creative effect, like this:

6. Make sure your smartphone’s HDR function is on

HDR is a handy feature found in most smartphones today, and you might be surprised to learn how much it can enhance your photos. It stands for high dynamic range, and its primary purpose is to bring out the details in the shadows and highlights. It works by taking multiple shots at different exposures and then merging them together to create a balanced image.

Most modern phones offer some sort of HDR option, which can often be toggled on and off in your phone’s settings. (It’s usually tucked away in the camera app settings.)

What’s important is that you make sure HDR is active when you’re photographing scenes with significant contrast between bright and dark areas. It’s especially useful for landscapes where the sky is bright but the land is shrouded in shadow, or for subjects that are lit from behind. As long as it’s enabled, HDR will work its magic to even out those contrasts and make the image look more like how your eyes see it.

On the other hand, there are times when you might want to turn HDR off, such as when you’re aiming for a more dramatic or moody effect. It’s good to know how to control the feature so you can make a choice that fits your creative vision.

7. Compose your photos creatively

Composition refers to the arrangement of elements in the frame. If you want to capture stunning photos, you must carefully position people and objects in a pleasing way.

A few quick pieces of advice:

• Avoid placing your subject smack-dab in the center of the frame
• Symmetry often looks good
• Try to include a natural frame around your subject, like a window, a doorway, or an arch

If you want especially beautiful compositions, I’d recommend using the rule of thirds, which encourages you to position key elements a third of the way into the image. See how the chairs are positioned around the bottom-third portion of the frame:

Note that you don’t have to use the rule of thirds – it’s not really a rule, just a guideline – but it helps create compositions that are well-balanced and dynamic at the same time.

8. Try the rule of odds

Another tip for great smartphone composition is the rule of odds, which encourages you to group your subjects in odd-numbered collections.

(For some reason, odd-numbered collections just tend to look good!)

So if you were photographing a group of people, you’d want to include three, five, or seven people in a cluster – not two or four. And if you were photographing a group of forks, you’d want to include three, five, seven, or nine. Make sense?

As with the rule of thirds, the rule of odds isn’t actually a rule. It’s a suggestion – but a good one, so I do recommend you follow it whenever possible!

9. Test out your smartphone’s photography modes

Your smartphone likely comes with several photography modes, each offering a different way to create your images.

Portrait mode, for instance, will blur the background and put focus on the subject. This is great for individual or couple photos and can give a professional touch, similar to what you could achieve with a high-end camera.

Night mode is another powerful feature. If you’ve ever tried to take a photo in low light, you know how difficult it can be, but Night mode takes several images and blends them together for a clear and bright shot.

And then there’s Panorama. Want to capture a breathtaking landscape? Panorama mode lets you take a series of photos and stitch them together into one wide image.

You don’t need to be a technical whiz to use these modes. Just find them in your camera app, select the one that fits your scene, and shoot. Over time, you’ll get a feel for when to use each mode, but experimenting is the best way to learn!

So don’t hesitate to try these modes and see what works best for you. The more you play with them, the more you’ll understand what they can do. That’s the first step in becoming a more skilled and confident smartphone photographer.

10. Straighten the horizon

A common beginner smartphone photography mistake is a crooked horizon. After all, it’s so easy to accidentally tilt your phone when shooting!

Unfortunately, crooked horizons are a major problem, and unless you know how to handle them (either in the field or in post-processing), you’ll be stuck with a set of bad photos.

Fortunately, dealing with crooked horizons isn’t difficult. Simply take a moment to turn on your camera grid; this will display a set of lines across the screen, which you can then use to level your horizons in the field.

You can also handle crooked horizons in post-processing. Most editing apps include some sort of straightening option, though you will lose pixels in the process, so it’s always best to get it right in the field!

11. Use leading lines

Leading lines are lines that lead the viewer into the frame and draw attention to the main subject. And these lines, if used correctly, are insanely powerful.

When you’re shooting with your smartphone, look around for roads, buildings, or even furniture that can help lead the eye to the subject. Technically, a leading line can be pretty much anything, from outstretched arms and tree branches to road signs and buildings, so even if you can’t see any obvious lines, I encourage you to keep looking!

Once you find a leading line, adjust your position so that it points to the main subject. Your composition will instantly improve! Here, I used the row of chairs to direct the viewer toward the building in the background:

12. Photograph in natural light

Earlier in the article, I mentioned the value of natural light, but it’s so important that it deserves its own section. You see, there is something so pure and clean about photographing in natural light. It looks great, it produces beautiful photos, and it’s always available.

I love morning and evening light because of its golden hues and soft, flattering effect. Overcast light is nice, too. And even high-contrast light produced by the harsh sun can look amazing (especially in black and white).

If you shoot in heavy shade or at night, you can still use natural light, but you’ll need to use a tripod to prevent image blur. (Fortunately, there are plenty of high-quality yet relatively cheap smartphone tripods to choose from!)

This next image, of a foggy morning out on Lake Michigan, shows the beauty of soft natural light:

13. Try not to zoom

Unless your smartphone offers a proper telephoto camera, I recommend you do as little zooming as possible.

You see, most zoom functions use digital zoom, which simply crops the image to magnify the subject. In other words, it doesn’t actually get you closer to the subject; instead, it just removes pixels. Recently, smartphone manufacturers have developed algorithms that allow for slightly better results when zooming digitally, but it’s still always better to get close to your subjects instead of relying on your device’s digital zoom capabilities.

If you own a smartphone with a zoom capability, and you’re not sure whether the images are simply cropped or whether the device boasts a genuine telephoto lens, go ahead and read the specifications sheet (you can find this on the manufacturer’s website). In general, this should clear things up, and you can determine the best approach for photographing distant subjects.

14. Consider using a sophisticated camera app

I know that you might be comfortable with the built-in camera app on your smartphone. But as you grow in your photography skills, you’ll find that more sophisticated camera apps can provide you with greater control and creativity.

Many advanced camera apps offer manual controls. Imagine being able to adjust the shutter speed, ISO, and white balance, just like professional photographers do with their DSLRs. And as I mentioned in a previous tip, some of these apps let you focus manually to pinpoint exactly where you want the sharpest details in your image.

Some apps also allow for a more artistic shooting process. They’ll apply filters to your camera feed in advance so you can see the world in high-contrast black and white, intense grunge, monochromatic blue, and much more. If you’re in a creative rut, trying such an app can certainly help you out.

Note that camera apps like Adobe Lightroom Mobile and ProCam offer significant manual capabilities and are generally user-friendly, so don’t be afraid to experiment with them and see what you think.

15. Process your images using an editing app

The work doesn’t stop once you’ve captured a nice photo – because with a little post-processing, you can turn a good image into a great one. And the best part? You don’t need to be a Photoshop wizard to do it. Most smartphones come with a range of easy-to-use editing apps that can help you enhance your pictures.

I’d recommend starting with the basics: Crop your photo to improve the composition, then adjust brightness and contrast to make the image pop. You might also tweak the white balance or add a bit of sharpening. Don’t be afraid to play around with these settings. Often, a little tweak here and there can make a world of difference.

Many of these apps also offer filters and presets. These are ready-made settings that apply a particular look to your image with just a single tap. They can be a fun way to explore different styles, but be sure to use them judiciously. Sometimes, less is more.

If you want to dive a little deeper, some apps allow more advanced editing like layering and blending. You might find these options a bit more challenging if you’re new to editing, but don’t be discouraged. There are plenty of tutorials online that can guide you through the process.

What’s vital here is to maintain the quality of your image during editing. If the app doesn’t offer non-destructive processing, always work on a copy of the photo rather than the original file, and be cautious not to over-edit. Subtlety often works best.

Editing isn’t about changing what you captured; it’s about enhancing it. Think of it as the final touch that brings your photo to life. And most importantly, have fun with it! Experimenting with different techniques can be an enjoyable and rewarding part of the photographic process.

How to take amazing smartphone photos: final words

With a bit of practice, you can capture amazing smartphone photos of landscapes, people, and so much more – even if you’re an absolute beginner.

Keep in mind that photographing with a smartphone should be simple. At the same time, an iPhone or Android camera is a genuinely powerful tool to explore the world around you, capture memories, and express your artistic vision. There’s no right or wrong approach, so feel free to experiment and find what works best for you.

I encourage you to pick up your phone and start exploring the possibilities. You might be surprised at what you can create. And remember, the best camera is the one you have with you!

Now over to you:

What kind of smartphone photos do you plan to take? Which of these tips will you use first? Share your thoughts in the comments below!

The post Smartphone Photography: The Essential Guide (+ 15 Tips) appeared first on Digital Photography School. It was authored by Christina N Dickson.

Photographing the wide world can be thrilling, but it’s also not without its dangers. Whether you’re strolling down the streets of Paris or trekking the mountains of Nepal, the threat of losing your cherished (and costly) gear to theft is real. And let’s face it: Losing your gear doesn’t just hurt your wallet. A moment of bad luck could throw your entire trip thrown off track – unless you take proper precautions.

As an experienced globetrotter and shutterbug, I’ve picked up a few tricks along the way to safeguard my gear, and I’m here to share them with you. These tips aren’t some magic shield, but they’re practical, easy to follow, and can significantly lessen the odds of you facing a camera catastrophe. Even better, they’ll provide you with a backup plan in case you do hit a bump in the road.

Ready to confidently capture the world without constantly worrying about your gear? Let’s dive right in!

1. Trust your instincts

When it comes to traveling safely with your gear, the first and most crucial step is to trust your gut. I can’t emphasize this enough. It doesn’t matter whether you tend to worry or not; your intuition is your primary defense mechanism, and it’s essential to listen to it.

Sometimes, your worries might seem overly paranoid, but there could be instances where you’re subconsciously (or consciously) picking up on potential dangers. Do you really want to take that risk when you’re far away from home?

So if you start feeling uncomfortable or sensing something isn’t right, don’t ignore it. Take action to regain your sense of security. Pack away your gear or leave the area if necessary, and prioritize your peace of mind and safety.

2. Opt for a discreet bag

Especially if you’re traveling through rough areas, consider using an old bag to carry your camera and gear. While I haven’t done this myself, I think it’s an excellent idea in the right circumstances. The key is for the bag to appear worn-in and inconspicuous, not falling apart.

Additionally, avoid drawing attention to your bag as a camera bag. Opt for an everyday pack that doesn’t scream “Camera!” Thieves often target individuals with flashy new camera bags, making them vulnerable. By using a more general-looking bag (especially one that’s seen better days!) you’re less likely to be a potential target.

3. Tone down your gear and appearance

If you have a new bag that clearly looks like it’s meant for a camera and swapping it out isn’t feasible, try toning it down. Give the bag a slightly worn and dirty look. I understand that it may not be fun to treat your brand-new camera backpack this way, but it can significantly decrease its appeal to potential thieves.

A pristine new bag sends a message that you may have money and are likely an infrequent traveler, making you a more appealing target. On the other hand, a well-traveled and modest-looking bag lowers the chances of becoming a victim.

Similarly, consider your appearance and dress accordingly. You don’t need to go to the extremes of buying local clothes or blending in entirely, but at least observe how others dress in the area and make some adjustments. Avoid wearing flashy or luxurious outfits that might attract unnecessary attention. The goal is to be a less enticing target, and making a few simple changes can go a long way!

4. Always keep one eye on your surroundings

When you’re out shooting, always keep your non-shooting eye open and remain vigilant. While it’s easy to get absorbed in capturing the perfect shot, it’s essential not to get overly distracted, especially in crowded areas. While the chance of someone snatching your camera is slim, it’s better to be cautious and prepared. Thieves might also target your day bag or purse, so stay aware.

I find it helpful to use the reflection on my camera’s LCD display to check what’s happening behind me. By holding the camera up to my eye and then pulling back slightly, I can pan around while maintaining visual awareness of my surroundings. This simple technique adds an extra layer of safety to my photography experience, and I certainly encourage you to try it for yourself.

And let’s not forget the obvious: never leave your gear unattended in public spaces, even for a short moment. Avoid placing your backpack outside the bathroom or turning away from your tripod-mounted camera, even if you’re desperate. Those are the actions that can lead to unfortunate outcomes!

5. Rely on the buddy system

If you’re fortunate enough to be traveling with a friend, take advantage of the buddy system for photography just as you would for other travel situations. Even if you’re used to solo adventures, a companion can enhance your experience with great company and camaraderie as well as added safety.

Perfecting a system where one person shoots while the other keeps an eye out takes practice, but it’s highly beneficial in crowded environments and busy city streets. Traveling with non-photography friends can be great too; it reduces arguments about who gets to shoot next!

Plus, even if both of you plan to photograph non-stop, traveling with a companion offers significant safety advantages, especially for nighttime outings. It’s a smart choice, and if you know of anyone who might want to accompany you on an upcoming trip, consider inviting them along.

6. Rotate your memory cards

Modern memory cards boast impressive storage capacities, but you shouldn’t fall for the “bigger is better” trap. Putting all your precious photos on a single card is risky. Instead, swap your memory cards often and distribute them strategically, especially if you’re concerned about theft.

Also, if you don’t have a backup solution like a laptop or external drive (more on that in the next section!), consider storing some cards in unlikely places. After filling a card with fantastic shots, take the card out and secure it in a well-hidden money belt. Then, when you get back to your room, hide it in a drawer or in your clothing. (Of course, make sure you don’t forget it when you leave!) Don’t worry about your cards getting out of order; your home computer software can sort the images by capture time later.

7. Make a backup every night

Safety doesn’t end when you head back to your accommodations for the night! I highly recommend bringing along an external hard drive. Then, at the end of each day, you can take a moment to back up all your photos.

When you head out the next morning, you can leave the drive in your room, and you can carry the cards in your camera bag. That way, even if something happens to one set of photos, the other will likely remain safe.

Any standard HDD can work for this, though I’d recommend at least 1 TB of storage as a starting point (you can go larger or smaller based on your trip’s length and shooting habits). Nowadays, spacious drives are affordable and reasonably fast, so they’re perfect for backing up your shots.

For extra security, consider keeping a second hard drive with another copy of your shots or explore cloud backup options. The key is to find the solution that suits you best and ensures you have multiple copies of your valuable images.

Besides safeguarding your photos, this backup-first approach can also provide some protection against corrupted memory cards and alleviate worries about running out of card space during extended trips.

8. Wear your bag safely

Your bag’s position can make a significant difference in ensuring your gear’s safety. In crowded places like markets, consider wearing your camera bag against your stomach rather than on your back. It might look a bit unusual, but it adds an extra layer of security.

If you’re using a backpack, wear it over both shoulders. Ensure that all compartments are zipped up, and if possible, invest in a bag with zipper locks to deter easy access while you’re on the move.

9. Take multiple cameras (but only carry one)

While the feasibility of this tip depends on the space you have available, carrying backup gear can be a smart move in case your main camera or lens gets stolen.

For instance, you could bring a main camera along with a backup camera or a selection of prime lenses alongside a backup zoom. Keep the backup gear safely stored in your room and head out with your primary equipment. If the worst happens and your gear is stolen or lost, you can always go back to your accommodations and switch to the backup.

Plus, having spare equipment not only provides peace of mind but can also save your trip from being ruined by gear mishaps like drops or water damage.

10. Use a safety net or a hard case

When you’re out exploring during your travels, it’s natural to worry about the safety of your valuable photography gear left behind in your room. To provide you with peace of mind, there are some essential travel safety devices you can consider.

One option is a wire mesh safety net offered by companies like PacSafe. These nets are designed to enclose your bag and fasten it to a secure object. You can place your non-essential gear in a smaller bag, add the wire net, and secure it to something solid, though you will need a fixed object for this purpose. While it’s important to note that determined professionals might still be able to break through these nets with the right tools, they’ll certainly serve as a deterrent for opportunistic thieves.

Another reliable choice is to use a hard case for your gear, such as those made by Pelican Cases. These cases are constructed from tough plastic and come with loops to accommodate standard padlocks or cable locks, allowing you to fasten the case to a solid object.

These hard cases are water- and dust-proof, and will ensure your gear stays clean and dry during your travels. They’re also particularly handy when you need to check your gear at the airport.

However, it’s worth noting that hard cases are bulkier than regular backpacks, so carrying them around all day definitely isn’t a good idea (in other words, you’ll want to bring a more portable camera bag, too). Some cases do offer wheels and pull handles to improve ease of use.

11. Use a safe

Some accommodations, including hotels and hostels, offer a main safe that guests can use. Take advantage of this amenity and store any non-essential gear – though do consider taking a photograph of the items you’re handing over in the presence of a staff member. This is similar to counting and getting a receipt for cash you deposit for safekeeping. If the establishment doesn’t provide a receipt, having the photo will serve as your insurance, confirming what you handed over.

Additionally, some hotels provide mini-safes in the rooms, which can be quite useful. These mini-safes aren’t big enough to fit an entire gear bag, but they can accommodate items like lenses, memory cards, hard drives, and small laptops, making them a great option for securing your gear during your daily adventures. They can also come in handy at night if you feel your accommodation is located in a less secure area.

12. Keep a record of your gear

Before embarking on your trip, take the time to create a detailed list of all your photography gear, including the serial and model numbers. Make a couple of copies of this information and store them in a safe place. In the event that your gear is stolen and later recovered, having a list of serial numbers will be crucial for identifying and claiming it as your own. It’s also a good idea to take a picture of your gear before you leave as an additional reference.

On a related note, if you plan to check your camera bag or case at the airport, consider placing an electronic tag in one of the pockets. Not only can this tag be helpful in case the airline misplaces your bag, but it can also alleviate anxiety when you leave expensive gear behind in your room (you can regularly check the tag’s location when you’re out and about!).

13. Keep your gear insured

Don’t overlook the importance of insurance for your photography gear – it’s a small price to pay compared to the cost of replacing expensive equipment! Investing in gear insurance can be a serious stress-reliever.

In the event of a theft, many insurance policies cover the replacement cost of your gear, allowing you to buy new items. Some insurance options even reimburse you for rental equipment if your gear is stolen during your journey. Additionally, gear insurance can safeguard you against accidental damage, which is always a possibility when you’re on the go.

So if you’re concerned about the safety of your camera equipment while traveling, securing an insurance policy can be a wise decision. It ensures you can focus on capturing beautiful moments without worrying about all the unpleasant what-ifs.

How to keep your camera safe while traveling: final words

Keeping your precious gear safe during your travels is of utmost importance, but with a few practical precautions, you can significantly reduce the risk of any unfortunate mishaps.

Whether you’re jet-setting to far-off lands or exploring local gems, always stay vigilant and aware of your surroundings. Trust your instincts, and if something doesn’t feel right, don’t hesitate before leaving the area. And consider taking out a gear insurance policy. It’ll cost far less than the price of replacement equipment, and it’ll offer greater peace of mind, too.

Remember, utilizing safety measures like wire mesh safety nets and hard cases can add an extra layer of protection to your equipment, while you can always use the hotel safe or the mini-safe provided in your room to store non-essential gear securely.

So enjoy your travels, and capture some amazing photos!

Now over to you:

How do you plan to keep your gear safe while traveling? Share your thoughts in the comments below!

The post Keep Your Camera Safe While Traveling: 13 Essential Tips appeared first on Digital Photography School. It was authored by Peter West Carey.

If you’re struggling to choose the right travel photography gear, you’ve come to the right place.

You see, new travel photographers are always asking me about the equipment they should buy. And over time, I’ve developed a standard set of items that every travel shooter must own, from the absolute beginner to the serious professional.

Below, I share my list of essentials; it features all of the basics, including camera, lens, and accessory recommendations.

(By the way, a quick piece of advice before we start: Get adequate insurance to cover your camera and accessories. Accidents and thefts can – and will – happen. Be prepared!)

So if you’re ready to put together a top-notch travel photography kit, then let’s dive right in, starting with the most important gear item of all:

1. A camera

Needless to say, every travel photographer needs at least one camera (and if you’re serious about travel photography, I’d really recommend you carry two: a main body and a backup).

What travel photography camera is best? Honestly, there are so many different choices, plenty of which are capable of great images, so the only way to really know what’s right is for you to think about your shooting preferences, then do some serious research.

But I do have a few pieces of advice.

For one, make sure that your camera is portable enough to carry all around the world, yet offers strong enough image quality to create stunning prints. It might sound like a tall order, but you can find entry-level mirrorless cameras, DSLRs, and even point-and-shoot models that are small, lightweight, and take great pictures (they won’t break the bank, either).

Of course, there are also pro-level cameras that fit the bill, but they’re far pricier. Professional travel photographers tend to use high-end mirrorless and DSLR cameras, which range from around $1,500 to $5,000 USD. One advantage of these cameras, in addition to the insane low-light capabilities and high megapixel counts, is the (often) robust weather sealing. If you plan to shoot in rain, snow, blowing sand, or sea spray, weather sealing is hugely beneficial. It might even be a must-have feature.

If you’re not sure whether a specific camera is right for you, I highly recommend renting before you buy. There are plenty of great online rental companies (and you can find in-person rental companies locally, too). Grab the camera for a day or three, go out and take some photos, and see what you think. You may end up frustrated or you may fall in love – but after a few hours, you’ll know whether it’s a camera worth buying.

By the way, when you’re ready to purchase, shop around. Don’t forget that you can always buy secondhand cameras; these cost half as much but are often in outstanding condition.

2. Lenses

Usually, cameras come with just one low-quality lens, or they might come “body only,” which means that you’ll need to purchase a lens separately.

Lenses do make a major difference, so I recommend you think about your travel photography lens choice very carefully. Wide-angle lenses, for instance, will get you completely different results from telephoto lenses. And wide-aperture lenses will let you shoot in very low light, though you’ll pay for it in money, size, and weight.

To start, you’ll need a workhorse lens, which you can use for most of your travel photography. It should offer a good range of focal lengths, should be relatively lightweight, and should offer decent optical quality. I’d recommend looking into 24-70mm lenses, which are great for everything from landscapes to travel portraits. (In fact, you could get away with only purchasing a 24-70mm lens; they really are that versatile!)

If your budget allows it, however, I do recommend you add a telephoto lens to complement your workhorse lens. A 70-200mm lens, for instance, is great for tighter landscapes, architectural details, and even large (or tame) wildlife.

Over time, you can always build up your lens collection further by adding macro or prime lenses, but if you can start with a 24-70mm lens and a 70-200mm lens, or even just a 24-70mm lens, you’ll be in great shape.

Here’s my basic list of lenses, which I carry on every trip:

• A 24-70mm f/2.8 zoom
• A 70-200mm f/2.8 zoom
• A 50mm f/1.2 prime
• A 100mm f/2.8 macro

3. A tripod

Beginner travel photographers might not like the idea of purchasing a tripod – after all, it can be expensive, it can be a hassle to transport, and it’ll slow down your shooting – but here’s the thing:

A tripod is one of the most invaluable travel photography gear items you will ever own. In fact, ask any travel photographer to name their favorite accessory, and they’ll most likely say a tripod.

What makes tripods so special?

For one, without a tripod, you cannot take photos that require slow shutter speeds. Image stabilization technology is great, but you can’t use IS to capture ultra-long exposures at night; try it, and you’ll likely end up with a series of blurry photos.

And yes, tripods do slow you down, but that’s often a good thing. Tripods mean that you spend a bit more time thinking and composing rather than just snapping away.

There are plenty of amazing tripods, and the one that you choose will come down to personal preference, budget, and weight tolerance. Most travel photographers go with carbon fiber tripods, as they are stable and lightweight, and I recommend that you do the same.

Now, when you’re looking at tripods, you’ll probably notice plenty of cheap options – in the $50 to $150 range – and you’ll wonder: Why can’t I get one of those?

Well, you can, but they’ll often weigh a ton. You might not think that 7 lb sounds like a lot, but try carrying a 7 lb tripod for an entire day (along with your camera, lenses, and accessories) and you’ll wish you had paid more money for a lighter model.

And if you find a cheap tripod that doesn’t weigh a ton, it’s likely very unstable. Do you really want to rely on something cheap and flimsy to hold up your expensive camera? In my view, you should always choose the best tripod that you can afford. It’ll last you a long time, anyway, and will be well worth the initial investment.

4. A camera bag

Tripods might be the most important travel photography accessory you’ll ever own, but camera bags come in as a close second, so make sure you buy a good, durable, comfortable product.

You see, camera bags often go unnoticed, yet not only do they keep your equipment safe while in transit, but they also hold your equipment when you are photographing at your destination. They protect your precious cameras and lenses from sand, rain, and snow, and they ensure you remain comfortable when walking or hiking from location to location.

There are lots of camera bags to choose from, and they vary in terms of size, durability, comfort, accessories, and cost. You’ll need to pick a bag that works for you, and as you become more experienced, you may want to buy different bags for different scenarios.

For instance, if I’m hiking or out in the wilderness, I carry a large, comfortable bag, one that’s good for long walks and that contains plenty of room for equipment, water, and more. On the other hand, if I’m shooting in a city, I’ll go with a smaller bag or even a shoulder bag, which holds less gear but won’t get in the way.

5. Memory cards

So you’re standing in front of a breathtaking sunset, colors swirling in the sky like an artist’s palette. Your camera’s at the ready. But wait—your camera displays a warning that you’re almost out of memory. The beauty of the moment fades as you frantically sift through your photos, deciding which ones to delete to make room. Frustrating, isn’t it? To avoid this scenario, stock up on memory cards. Lots of them.

How many should you bring? Well, that depends. It’s a balancing act between the length of your trip, your shooting style, the megapixels your camera has, and the capacity of the cards you’re considering. If you’re someone who loves shooting for long stretches, or if you’re a fan of burst mode, then you’ll need hefty storage—say, around 500 GB or even more for extended trips.

Don’t just think about quantity; consider the safety of your digital treasures. I’ll talk about external hard drives later, but even before that, invest in a quality memory card case. These nifty little containers shield your cards from elements like rain, dirt, and dust. It’s a small investment that can save you a lot of heartache.

6. Extra batteries

Switching gears, let’s talk about the lifeblood of your camera: batteries. And just as you wouldn’t leave for a trip with just one memory card, you shouldn’t go without spare batteries either.

The need for extra batteries becomes even more pressing when you can’t predict your access to a power outlet. Maybe you’re in a remote village or trekking through the wilderness; it’s not like you can just plug your charger into a tree.

While original batteries can be pricey, third-party options usually offer a more budget-friendly alternative without sacrificing much in terms of performance. In warm climates and where you know you’ll have frequent access to power, one spare should suffice. But if you’re headed to a colder climate, or places where charging might be a challenge, 3-5 spare batteries would be more appropriate, especially if you’re using modern mirrorless cameras, which tend to be power-hungry.

7. An external hard drive

Traveling the world with your camera is incredible. Yet, that moment of joy can turn to panic if something happens to your memory cards. This is where an external hard drive steps in as your safety net. I strongly recommend that every traveler keep one in their kit. When you get back to your lodging each night, you can transfer the day’s photos onto the hard drive. This provides a dual safety net—keeping your shots safe and freeing up memory space for the next day.

Hard drives are quite affordable now, and even drives with terabytes of storage won’t break the bank. The ones built for durability are particularly good for travel. They can handle a few bumps on the road and most are shock-resistant. You don’t want a little tumble to wipe out your irreplaceable photos.

8. A remote release

A tripod serves as the bedrock for many great shots. But let’s extend that setup a bit. A remote release might not be the first thing you pack, but oh, the difference it makes. We’re talking about crisp, clear shots when the sun’s gone down or when you’re indoors. Sure, you could use your camera’s built-in timer or even your smartphone to snap a photo. But a remote release eliminates any risk of camera shake, which can ruin an otherwise perfect shot.

Especially useful for low-light photography, this tiny device allows you to trigger the camera without touching it. This is crucial when you’re working with slow shutter speeds to get that perfect exposure. What’s more, these gadgets aren’t a major investment. Basic models often cost less than $20. So if you’re planning to capture the serene twilight or the dynamic city lights, do consider adding a remote release to your kit.

9. A raincover

Mother Nature is unpredictable! You’re in a beautiful location, the light is perfect, and then—bam! Raindrops start falling. If you don’t want your camera to be a casualty of unexpected weather, a rain cover is a smart addition to your gear. Think of it as an insurance policy for your camera, safeguarding your investment from water damage.

A basic rain cover should do the trick for most situations. These are generally affordable and easy to slip over your camera and lens. They’re made of water-resistant materials like nylon or polyethylene and usually have a clear panel so you can still see your camera’s settings. But if you find yourself in a situation where you have to improvise, a trash bag secured with rubber bands can also be a makeshift solution.

This gear isn’t glamorous, but it’s effective. And when you’re far from home, capturing scenes you’ve only dreamt of, practicality trumps glamour every time.

10. A cleaning kit

Switching gears, let’s discuss hygiene—not for you, but for your camera. Whether you’re trekking through the Amazon or wandering through the streets of Paris, your camera is at risk. Elements like rain, dust, and even snow can turn from scenic details into gear-ruining nightmares. So, just as you wouldn’t venture out without your personal toiletries, don’t forget your camera’s cleaning kit.

A basic kit doesn’t have to be bulky. A small pouch can hold all the essentials: microfiber cloths for your lens, a rocket blower to force out the pesky dust, and a small brush to reach into the crevices of your camera body. These simple tools can be lifesavers, ensuring that your camera remains functional and your photos remain clear.

11. Filters

Your camera captures light, but you control the quality of that light. Filters can be game-changers, particularly for travel photographers capturing diverse scenes. Say you’re photographing a lake surrounded by lush trees. A polarizing filter will minimize glare on the water and make those green leaves pop. The difference it makes is like night and day.

Neutral density filters are another key accessory. These are useful when you want to experiment with long-exposure shots. Maybe you’re near a flowing river and you want to capture that silky-smooth water effect. A neutral density filter will let you shoot at slower shutter speeds without overexposing your image.

Last but not least, let’s talk about protective filters like UV or clear filters. These may not dramatically alter your images, but they safeguard your valuable lens from scratches, smudges, and even minor falls. I say it’s a lot easier—and cheaper—to replace a filter than a lens.

Essential travel photography gear: final words

Buying your first camera, lenses, and accessories can be a daunting prospect.

But if you pay careful attention to this list, do your research, and get the absolute essentials, then your kit will turn out great. You can always add more specialized gear over time!

Now over to you:

What travel photography gear do you plan to take on your next outing? What gear do you need to buy? Share your thoughts in the comments below!

The post Essential Travel Photography Gear: 11 Must-Have Items appeared first on Digital Photography School. It was authored by Christina N Dickson.

Camera lenses include quite a few numbers – and many of these are often confusing or obscure, especially for beginners.

That’s why, in this article, I’m going to run through all the important camera lens numbers you’ll encounter. I’ll explain what the numbers actually mean, and I’ll also explain why they matter for your photography.

By the time you’re finished, you’ll be a lens number expert, and you’ll never find yourself confused by your lens markings again.

Let’s jump right in.

Common numbers on newer digital lenses

Depending on the age of your lens, you’ll run into different markings. In this section, I’ll discuss numbers frequently found on newer lenses (though note that many will apply to old lenses, as well!).

Focal length

Zoom lenses feature a zoom ring; twist it, and your lens will zoom in and out.

Next to this ring, you’ll generally find focal length numbers. For example, if your lens is a 70-200mm zoom like mine (below), you’ll see markings that span from 70mm to 200mm. I’m currently at around 100mm:

A lens will never display every focal length but will instead offer a few useful intervals, as you can see in the image above.

If you are using a prime or fixed lens, you won’t have a zoom ring. Your lens will simply indicate the focal length on its barrel, as you can see on my 85mm lens:

Maximum aperture

The maximum aperture is the largest aperture opening your lens is capable of achieving. Note that the larger the aperture opening, the smaller the f-number (so f/2.8 corresponds to a very wide aperture, while f/22 corresponds to a very small aperture).

Larger apertures like f/2.8 or even f/1.8 are highly desirable because they allow you to shoot in low-light conditions while maintaining a fast shutter speed. So the best lenses – and the most expensive lenses – tend to offer a very wide maximum aperture.

(Note that some zoom lenses have a variable maximum aperture, where the maximum aperture will change depending on the focal length; this is represented as a range of numbers, such as f/3.5-6.3.)

Now, pretty much every lens has the maximum aperture written somewhere on its body. You can usually find this information in one of two places (or perhaps even in both):

1. Right on the end of the lens barrel
2. On the front of the lens inside the filter ring area

In the photo below, you can see two different lenses: my Tamron 17-35mm and my Canon 85mm. On the Tamron, you should see “1:2.8-4,” and on the 85mm, you should see “1:1.8.”

What does this mean? It’s simple: the maximum aperture on the 85mm lens is f/1.8, and on the Tamron zoom, the maximum aperture changes from f/2.8 to f/4 as you zoom the lens. (At the lens’s widest, 17mm, I can open the aperture to f/2.8. But if I zoom all the way to 35mm, my maximum aperture becomes f/4.)

These variable maximum apertures are pretty common with kit lenses, and especially kit lenses with a large focal length range such as 28-300mm or 18-200mm.

Focusing range and distance scale

On some – but not all! – lenses, you will see a range of distances, usually marked in two scales, feet and meters. These lens numbers indicate the distance at which your lens is currently focused.

So at one end of the scale, you’ll find the infinity symbol, and at the other end, you’ll find the lens’s minimum focusing distance (i.e., the closest the lens can focus).

Check out the two lenses below. The distance scale on the 70-200mm (left) is under a cover, and you can see that the lens is focused somewhere between 10 meters and infinity. The distance scale on the 17-35mm (right) is on the lens’s focus ring, and you can see that the lens is focused quite close, at around 0.5 meters.

Note that, as you focus your lens, the distance scale will change to reflect your new point of focus.

Lens diameter (filter size)

Every lens has a diameter, the distance across the center of the lens. This diameter also corresponds to the filter size (if the filter’s diameter doesn’t match the lens diameter, it won’t properly screw onto the front of the lens).

You’ll find the lens diameter written on the end of your lens (often on the edge of the barrel), preceded by a symbol that looks like a zero with a strike through it:

So for the lens pictured above, the diameter is 77mm. And if I wanted to use a polarizing filter or a clear filter, I’d need to grab one with an equivalent diameter.

By the way, you can also find the lens diameter on the back of the lens cap, as displayed above.

Less common lens numbers (often seen on older, manual focus lenses)

Now that you’re familiar with all the common camera lens numbers, let’s take a look at some of the less common markings. These numbers are pretty rare on lenses designed for digital cameras, but you may come across them if you purchase older, manual focus glass.

Aperture ring

Most newer lenses set and control the aperture through the camera. But back in the days of film, you would set the shutter speed on your camera and the aperture on the lens (via an aperture ring).

So while newer lenses rarely include aperture rings, you’ll find them on plenty of older lenses. An aperture ring displays different aperture settings, like this:

And by rotating the ring, you widen or narrow the aperture.

Note that some modern lenses do include aperture rings; Fujifilm is known for this, as are other brands that offer manual focus lenses (e.g., Samyang).

Hyperfocal distance scale

A hyperfocal distance scale helps you determine the depth of field for a scene, given a particular focal length, point of focus, and aperture.

Most zoom lenses don’t offer hyperfocal distance scales (because depth of field varies with focal length). But if you have a prime lens – especially an older model – you may see an extra ring of numbers on the barrel, such as in the image below:

Note that, in the image, you can see three sets of numbers:

• the distance scale
• the hyperfocal distance scale
• the aperture ring that actually sets the lens aperture

And this is by design. The hyperfocal distance scale uses the distance scale to display the expected depth of field. Here’s how it works:

First, focus your lens and set your aperture. Then look at the hyperfocal distance scale and find your chosen aperture on either side of the red line. Finally, look at the focusing distances that correspond to the apertures – these will be your near and far depth of field limit.

Make sense?

Camera lens numbers: final words

Well, that’s it for lens numbers! Hopefully, you now feel much more confident (and much less confused) when looking at your lens.

And if there are any lens numbers I missed, don’t worry – just share pictures in the comments below, and I’ll see what I can do to help out!

The post What Do the Numbers on Your Camera Lens Mean? appeared first on Digital Photography School. It was authored by Darlene Hildebrandt.

Icy temperatures certainly make for amazing photos. You can capture sparkling snow, stunning frost, white-capped mountains, frozen lakes, and so much more – assuming your gear can handle the cold, that is.

Unfortunately, most cameras, lenses, and accessories aren’t optimized for freezing temperatures. And if you’re not careful, cold-weather photoshoots will cause an array of problems, from moisture-covered lenses to dead batteries in the field and even hypothermia.

It’s not all bad news, though. Yes, capturing photos in the cold is a challenge. But if you put in the effort and take the proper precautions, you can photograph some of the most beautiful conditions on the planet.

So how can you safely do cold-weather photography? That’s what I address in this article. I discuss:

• How to protect your cameras and lenses from condensation and freezing
• How to prevent hypothermia when out shooting (including essential gear recommendations)
• How to keep your camera working long after other photographers have called it quits
• Much more!

Ready to embark on some breathtaking photoshoots this winter? Let’s dive right in.

1. Wear the right clothes for the cold

Want to stay safe while doing cold-weather photography? Then you’ve got to dress the part.

It doesn’t matter whether the light is beautiful and the scenery is jaw-droppingly gorgeous; if you’re shaking so hard you can’t operate the camera, you won’t get the shot (and you may get a trip to the hospital).

So what should you wear? The specifics depend on the weather, but I’m a big proponent of layers. When dressed in your winter-photo clothing, you should feel a bit like an onion, especially if you’re heading out into sub-zero conditions. I’d recommend donning long underwear, a fleece or wool sweater and pants, a down or synthetic vest, a jacket with a hood, windproof pants, two pairs of thick wool socks topped by expedition-quality winter boots, a cold-weather hat (I’m partial to a musher’s-style hat complete with ear flaps), and a balaclava or face mask.

Here are two of my clients on a photo tour, properly dressed for the weather:

It may not be fashionable, but it’s safe, and that’s what counts.

Now, depending on your location, the list of clothing I shared above might be overkill. I live in Alaska, where temperatures drop to -40 Fahrenheit. If your winter temperatures tend to hover around 20-40 Fahrenheit, then you can dial back the number of layers, and you can potentially do away with the balaclava and windproof pants – though it’s always good to have them at home (you never know what each new winter will bring!), and it’s always better to overdress than to underdress.

Regardless, make sure you wear a warm hat, an insulated jacket, and good boots – no matter your location.

2. Wear two pairs of gloves

Most photographers hate gloves. After all, gloves act as a barrier between your fingers and those tiny little camera buttons, so they significantly slow down your photography. (Gloves can also prevent touchscreen operation, which is a major problem when using touchscreen-reliant cameras.)

But while gloves are an inconvenience, they’re a cold-weather photography necessity. Without gloves, your hands will go numb (or worse!) in minutes, and you’ll be out of action before you can take a single shot.

Fortunately, not all gloves are equally frustrating. I’d recommend purchasing two glove pairs that can be worn simultaneously: one set of thin gloves that you can use to operate your camera, and one set of thicker gloves or mittens that you can add when walking from location to location or when waiting for the right light.

Some manufacturers design gloves specifically for photographers, but you can also look into products designed for ice fishing; regardless, see if you can find a nice pair of inner gloves that are touchscreen-sensitive, as well as a warm pair of outer mittens or thick gloves with removable fingertips. Remember, while you want to keep your hands as warm as possible, you don’t want to purchase gloves that are so bulky you can’t operate your camera!

3. Carry (reusable) hand warmers

Gloves do a great job of keeping your fingers warm, but if you plan to be out for long hours in ultra-cold weather, I’d encourage you to carry a few packs of hand warmers.

For one, hand warmers can help you “recharge” your fingers when the cold is brutal; they’re also great to have around in case your gloves are just too thin to handle the temperatures.

Disposable hand warmers only cost a few dollars, but I highly recommend reusable hand warmers. You can use the warmers as needed, then – when you get home – stick them in a pot of boiling water. Within a few minutes, they’ll be as good as new, ready for your next adventure!

4. Pay attention to your batteries

A cold battery won’t work as well as a warm battery – so on a cold day, your camera and flash batteries will last only a small fraction of the time they would at room temperature.

To prevent any problems, here’s what you should do:

1. Make sure your batteries are completely charged before heading out to shoot. Each battery should be fully powered and ready to go because every drop of electricity counts.
2. Carry as many spare batteries as possible. You can buy extra batteries from all the standard photography retailers (though make sure they’re compatible with your specific camera model!). You might also consider purchasing third-party batteries, but be careful; some are far more reliable than others.
3. Keep all your spare batteries inside your jacket. That way, they stay as warm (and charged) as possible. You can even put dead batteries back into your camera after time in a warm pocket, and they’ll let you shoot for another handful of minutes. I find I can photograph at extremely cold temperatures for the better part of a day by cycling two batteries back and forth from my pocket to my camera, though the specifics will vary depending on your camera’s power requirements. (Note: Modern mirrorless cameras offer very poor battery life, so you’ll likely need 4+ batteries to last a day of shooting in frigid temperatures!)

5. Don’t breathe near your lens

Have you ever tried breathing on your lens in the extreme cold? It’s a bad idea. Here’s what’ll happen:

You see, when you breathe, the warm, humid air will cause condensation on your lens, resulting in a layer of milky frost on the glass. It doesn’t matter how much money you spend on your equipment; no amount of sharpness will make up for that damage, and your lens will be out of commission for the rest of the day. Wiping at the frost usually just smudges it more, and defrosting the lens can take hours.

Bottom line: Watch where you breathe. If you turn your camera around to check the lens settings, don’t exhale. And if you’re standing in front of your camera, make sure you don’t let out a badly aimed breath.

I’d also recommend wearing a neck gaiter or balaclava; when this is pulled up over your mouth and nose, your breath will be directed upward, where it’ll frost on your eyelashes instead of your camera. (Make sure you also wipe away moisture on the viewfinder, which can be a major cold-weather photography problem!)

6. Use your lens cap

While foggy lenses are often caused by breath or sudden changes in temperature, when shooting at night, there’s always the chance that natural frost will form.

To avoid this, snap on your lens cap when you aren’t shooting. Get in the habit of using that lens cap whenever you’re taking a break, searching for a new composition, or walking from one location to another.

Personally, when I’m out photographing at night, I put my cap on my lens, even if I’m just walking a short distance to a new shooting location.

I’d also recommend using a clear filter on the front of your lens. That way, if you do end up with lens frost and it gets scraped or smudged, you don’t need to worry about damaging the lens’s front element. It’s easier (and far less expensive) to replace a filter than a lens!

7. Carry a rocket blower to clean away snow

If you try to shoot in heavy snow, especially if the wind is strong, you’ll run into a problem:

The flakes will land on the front of your lens, and – if left unchecked – they’ll cause significant blur.

Now, your first line of defense should be a lens hood, but even a large hood won’t keep out the snow forever, which is why I recommend carrying a rocket blower. That way, when the snow starts to pile up, you can periodically give your front lens element a clean.

(Why a rocket blower and not a cloth? A cloth causes smearing and smudging, which can make the problem even worse, whereas a rocket blower will push away those snowflakes without causing any damage.)

One tip: Make sure you regularly check for snow. Don’t wait until you can see signs of blur in your camera’s viewfinder; by then, the snow may have been affecting your photos for some time!

8. Seal your gear before going inside

Did you know that a rapid transition from a cold environment to a hot environment can cause condensation on glass? It’s why eyeglasses tend to get misty when coming in from the cold, and why, on a hot day, a cold beer glass gathers condensation.

For lenses, this can be extremely problematic. A cold lens brought directly inside will fog up, so you won’t be able to use it for any indoor photos – and the excess moisture can lead to smears, smudges, and potentially even fungus on the lens elements.

Fortunately, there’s a way to prevent this. Put your camera gear in a sealed airtight compartment – such as a simple ziplock bag – before heading inside. Then let it adjust to the warmer temperatures for a few hours. (An alternative is to leave your lens in a padded camera backpack or bag, though this isn’t quite as effective as an airtight bag.)

Then, when you finally do expose your gear to the indoor air, it’ll stay free of condensation!

Pro tip: While ziplock bags work great for sealing up your gear, I prefer lightweight roll-top dry bags like those used by boaters. They’re tough, reusable, and work like a charm!

Cold-weather photography: final words

The cold scares a lot of photographers, and rightly so. But with a few precautions – such as bringing warm clothes, charging spare batteries, avoiding frost, and protecting against condensation – you can keep your gear safe, and you can capture plenty of beautiful photos along the way!

Now over to you:

How do you like to shoot in the cold? Do you have any additional cold-weather photo tips that we missed? Share your thoughts in the comments below!

The post Cold-Weather Photography: How to (Safely!) Take Photos in the Cold appeared first on Digital Photography School. It was authored by Neil Creek.

Kit lenses are an essential part of nearly every photographer’s journey, yet they receive a lot of criticism from established photographers.

But is this criticism deserved? Honestly, I don’t think so. Sure, these lenses might not have the widest apertures or the sharpest optics, but they’re far from useless. In fact, they offer several key benefits and can be a valuable asset to photographers of all levels.

In this article, I explore the ins and outs of kit lens photography. I share the strengths and weaknesses of these little lenses, and I also share my favorite tricks and techniques to maximize their potential.

So whether you’re a beginner looking to make the most of your basic glass or a seasoned pro seeking a fresh perspective, buckle up and get ready for an eye-opening journey!

What is a kit lens?

A kit lens is a lens that comes bundled with a camera. It’s typically inexpensive and offers basic features that cater to the needs of entry-level photographers.

One notable kit lens characteristic is a generous focal-length range. These lenses aim to cover a wide spectrum of shooting scenarios so beginners can capture a wide variety of subjects and compositions.

The most common kit lenses are 18-55mm models, although variations like 16-50mm and 15-45mm do exist. There are also telephoto kit lenses available, which often span from 55-200mm. (Some cameras even offer the option to bundle two kit lenses together: an 18-55mm model and a telephoto model!)

It’s important to note that not all cameras come with kit lenses. The more expensive the camera, the less likely it is that it’ll come with a lens.

(Higher-level cameras do sometimes include the option to bundle in a lens for a discount, but these products are usually much more expensive and don’t have the basic kit-lens characteristics.)

Reasons to use a kit lens for your photography

Not sure if a kit lens is right for you? Here are some reasons why you might want to use that handy kit lens instead of purchasing a different model:

1. Kit lenses are inexpensive

Lenses can be eye-wateringly expensive. In fact, intermediate-level lenses often cost more than a camera!

Fortunately, kit lenses break the pattern. They offer a budget-friendly option for photographers who are just starting out or don’t have thousands of dollars to spend. Since most kit lenses are priced at a few hundred dollars, they provide an affordable entry point into the world of DSLR and mirrorless photography.

Plus, even if you have extra money, you can spend it on other essential accessories. Investing in a sturdy tripod or a versatile lighting setup can greatly enhance your photography. So if you’re looking to stretch your dollar, a kit lens is a practical choice.

2. Kit lenses are compact and lightweight

When it comes to convenience and portability, kit lenses reign supreme. These compact and lightweight products are great for travel photographers. Imagine effortlessly attaching a lens to your camera and capturing the world without being weighed down by bulky equipment. That’s the beauty of a kit lens.

Because kit lenses are so portable, you can carry them with ease, whether you’re strolling through the city streets or venturing into the great outdoors. Pop one in your pocket, slip it into your purse, or tuck it snugly in your backpack, and you’re good to go. No need to lug around heavy lenses that make your shoulders ache!

But it’s not just about convenience. The compact size of kit lenses offers another advantage: inconspicuousness. Whether you’re shooting candid street scenes or capturing memorable moments at events, blending into the surroundings is key. Kit lenses, with their unassuming appearance, allow you to fly under the radar and capture authentic moments without drawing unwanted attention.

3. Kit lenses offer a great range of focal lengths

One of the major advantages of using a kit lens is the versatile focal length range. They’re specifically designed to give photographers the most bang for their buck, ensuring that they can capture a wide range of subjects without needing to invest in multiple lenses.

Imagine you’re out exploring a breathtaking landscape, and you want to capture the vastness of the scene. With an 18-55mm kit lens, you can zoom out to 18mm and capture the expansive beauty of the environment.

Now let’s switch gears and say you’re strolling through a bustling city street. You spot some intriguing architecture and decide to take a shot. With the same kit lens, you can zoom in to around 35mm and capture the details of the building.

But what if you come across a charming face in the crowd and you want to capture a captivating portrait? No worries! Simply zoom in to 55mm, and your kit lens will allow you to create a beautiful portrait with a pleasing background blur.

And if your camera comes with a telephoto kit lens, you can capture all sorts of subjects, including wildlife, pets, and birds.

So whether you’re photographing landscapes, street scenes, portraits, or even wildlife, a kit lens has got your back. Its focal length range offers you the flexibility to adapt to different shooting situations, ensuring that you’re always ready to capture a great photo. Don’t underestimate the power of a single lens that can do so much!

Kit lens drawbacks

Now it’s time to talk about the not-so-glamorous side of kit lenses. While they have their strengths, it’s important to be aware of their limitations. Here are a few drawbacks to consider:

1. Kit lenses offer poor build quality

Kit lenses aren’t the toughest kids on the block. They often have a plasticky feel (it’s one of the ways manufacturers keep the prices down).

Now, if you’re a casual shooter or work in relatively safe conditions, this might not be a big concern for you. But if you find yourself frequently venturing into the great outdoors, whether to sandy beaches, snowy landscapes, or rainy streets, your kit lens might struggle to cope with the elements.

Unlike their more expensive counterparts, kit lenses generally lack rugged designs and weather sealing. So it’s worth considering whether you need that extra level of durability and protection. If you’re the adventurous type or shoot in challenging environments, investing in a sturdier lens could be a smart move.

2. Kit lens optics are less impressive

When it comes to image quality, kit lenses do have their limitations. While they are certainly capable of capturing professional-level images, they often fall slightly short compared to their more expensive counterparts, especially in terms of overall sharpness.

Now, don’t get me wrong: Kit lenses are not inherently soft or unusable. In fact, for most casual shooters, the difference in image quality between a kit lens and a non-kit lens isn’t even noticeable. However, if you’re someone who values razor-sharp details and wants to squeeze every bit of clarity out of your shots, you might find that kit lenses can be a tad softer, particularly at wider apertures.

Ultimately, if image quality is a top priority for you and you demand absolute precision, then investing in higher-end lenses might be worth considering. On the other hand, kit lenses provide more than adequate image quality for everyday shooting – and with the right techniques (explored below), they can be used to produce professional shots.

3. Kit lens autofocusing can be slower

In my experience, kit lenses can feel a bit sluggish when acquiring focus. If you’re shooting subjects in motion, such as sports, wildlife, pets, or even hyperactive kids, this can be a serious concern.

It’s not all doom and gloom, however. If your photography mainly revolves around still subjects like landscapes, products, or flowers, the slower autofocus of a kit lens won’t pose much of a problem.

But if you find yourself drawn to fast-paced action or capturing split-second moments, you may become frustrated by the plodding autofocus of a kit lens – and it could be a good idea to look at more action-focused glass.

4. Kit lenses have narrow maximum apertures

Every lens has a maximum aperture, which determines how much light it can let in. Professional lenses often boast maximum apertures of f/2.8 or even wider, and this allows for handheld shooting in low-light conditions. It also helps create that dreamy background blur photographers love.

Kit lenses, on the other hand, have more modest maximum apertures. At the wide end of the focal length range, kit lenses usually offer a maximum aperture of around f/3.5 or f/4, and at the telephoto end, such as 55mm, the maximum aperture can be as small as f/5.6. These apertures are fine for shooting in daylight or well-lit environments, but they aren’t so great for low-light situations, and they’re also not ideal if you’re looking to create shallow depth-of-field effects.

That said, kit lenses can still produce great images within their limitations. If you plan to work in bright light or use a tripod, you’ll have no trouble capturing stunning shots. Additionally, understanding the characteristics of your lens and making the most of its capabilities is key. Learning to adapt your shooting techniques and leveraging the available light will help you overcome the challenges posed by narrow maximum apertures.

5 kit lens photography tips

If you’ve decided that you like the idea of shooting with a kit lens, here are a handful of tips to start you off:

1. Carry your lens with you everywhere

One of the best things about using a kit lens is its portability – and that’s why I encourage you to carry your kit lens with you everywhere you go.

After all, you never know when inspiration might strike or when you’ll stumble upon an incredible scene. By having your lens mounted on your camera and at the ready, you’ll be prepared to seize those spontaneous moments that make for the most memorable photographs.

At first, taking your gear everywhere might feel like a bit of a hassle, but the rewards will be worth it. So make it a habit to keep your kit lens within reach, whether you’re going for a walk in the park, traveling to a new city, or even just running errands.

2. Narrow the aperture for sharper photos

Are your kit lens photos looking a tad soft? It’s a common problem – but did you know that by narrowing the aperture setting, you can enhance the overall sharpness of your photos?

Here’s how to do it:

First, set your shooting mode to either Aperture Priority or Manual. This will give you control over the aperture setting. (If you’re unsure of how to switch between modes, consult your camera manual.)

Next, locate the knob or dial on the back of your camera that adjusts the aperture and turn it to increase the f-stop.

Wide apertures, represented by smaller f-stop numbers (e.g., f/2.8), tend to produce softer shots, especially when using a kit lens. But by increasing the f-stop number, you narrow the aperture, which results in sharper images.

Be mindful not to push the aperture too far, as ultra-narrow apertures can cause diffraction, leading to a loss of overall sharpness. Additionally, narrow apertures may force your camera to use slower shutter speeds to compensate for the reduced light, which can introduce motion blur if you’re handholding the camera. Consider using a tripod or adjusting other exposure settings, such as ISO, to maintain optimal image quality.

Every lens is different, but after narrowing the aperture, you may discover that your kit lens is capable of delivering remarkably sharp results. Experiment with different aperture settings to find the sweet spot that suits your desired level of sharpness (and depth of field).

3. Start thinking about the light

Light has the power to transform an ordinary scene into something extraordinary – and as you delve into photography, it’s crucial to start observing and understanding the role of light in your images. In fact, if an image has great light, it often doesn’t really even matter if it’s tack-sharp.

The best light often appears during the golden hours, the times just after sunrise and just before sunset. The sun’s rays become warm, soft, and flattering. It’s a time when landscapes glow, portraits come alive, and even the simplest subjects gain a touch of enchantment.

But don’t limit yourself to only shooting with golden-hour light. Great photos can be captured on cloudy days or even in the harsh light of midday. Each lighting situation presents unique opportunities and challenges. Cloudy days, for example, provide a soft, diffused light that can add a sense of moodiness, while bright sunny days will help produce vibrant colors and strong contrast.

Take the time to experiment with different lighting conditions. Venture out in various situations and observe how the light interacts with your subjects. Pay attention to the direction, intensity, and quality of light. Notice the interplay of shadows and highlights, and how they can shape the mood of your photos.

Over time, you’ll develop a keen eye for understanding and utilizing light to its fullest potential. You’ll learn to adapt your shooting techniques and settings to the specific lighting conditions, maximizing the capabilities of your kit lens.

4. Experiment with creative techniques

Kit lenses are perfect for anyone looking to push the boundaries and explore the artistic side of photography, in part because the low price means you don’t have to worry quite so much about their well-being.

One technique you can try is freelensing, which is somewhat unconventional but can give great results. Simply detach your lens from the camera body and hold it in front of the sensor, tilting it at different angles to create a selective focus effect. It’s a bit risky, as dust can find its way into your camera or you might accidentally drop your lens. However, when done carefully, you’ll be amazed by the dreamy, ethereal images that you can achieve.

Another creative technique worth trying is intentional camera movement (ICM). By deliberately lengthening your shutter speed and then moving your camera while pressing the shutter button, you can produce wonderfully captivating abstract images.

So don’t be afraid to step out of your comfort zone and experiment with these creative techniques. Embrace the freedom that your kit lens provides, and let your imagination run wild!

5. Get close to your subjects

While kit lenses may not offer true macro magnifications, don’t underestimate their close-focusing capabilities. Often, you can get a lot closer to your subjects than you might think!

I encourage you to take a moment and test out your kit lens’s minimum focusing distance. You might be pleasantly surprised by how much detail you can capture, and once you’ve started exploring the macro world, you’ll never want to stop. From flowers to fabrics, insects to leaves, and even the intricate details of eyes, there’s so much waiting to be photographed.

When diving into close-up photography, keep in mind a few tips to get the best results. First, stability is key. As you get closer to your subject, any slight movement can result in blur. Consider using a tripod or stabilizing your camera against a solid surface to ensure tack-sharp images.

Secondly, pay attention to lighting. Small subjects often require careful lighting to bring out their textures and details. Experiment with a variety of lighting techniques, such as natural light at different times of the day and even using a small LED to create interesting effects.

Lastly, don’t be afraid to get creative with your compositions. Explore different angles and depths of field effects to highlight the unique characteristics of your subject. Play with selective focus to draw attention to specific details and create visually striking images.

Kit lens photography: final words

We’ve reached the end of our epic journey into the world of kit lens photography. I hope you’ve come to realize that these little units are worth a lot more than you might have originally thought!

Sure, kit lenses may not have the reputation or the specs of their pricier counterparts, but they bring a whole lot to the table. They’re affordable, portable, and versatile, giving you the freedom to capture a wide range of subjects without breaking the bank.

Remember, though, kit lenses do have their limitations. The build quality may not be especially rugged, the optics may not be tack-sharp, and the autofocus may not be lightning-fast. But with a little know-how and some experimentation, you can overcome these hurdles and create compelling photos.

So don’t feel you need to upgrade the moment you purchase a camera. Recognize that your kit lens can take stunning photos – as long as you know how to use it well!

Now over to you:

Do you use a kit lens? If so, what do you think of it? Are you pleased with it? Do you plan to upgrade? Share your thoughts (and images) in the comments below!

The post Kit Lens Photography: The Ultimate Guide (With 18-55mm Examples) appeared first on Digital Photography School. It was authored by Andrew S. Gibson.

It’s no secret that camera gear is expensive. Fortunately, saving money on gear isn’t as hard as it might seem.

Over the years, I’ve discovered a handful of ways to keep photography costs (relatively) low. No, my methods won’t let you grab a camera or lens for free – but they can significantly reduce costs and help you purchase dream gear much faster than you would have managed otherwise.

So before you buy that next camera body, lens, or accessory, read up on these money-saving tips, starting with:

1. Look for discounts and deals

This one might seem like a no-brainer, but you should always, always, always be on the lookout for sales or discounts. Retailers such as Amazon often run sales where certain photography products are heavily discounted for a few days – and if you’re not on top of your sales game, then you’ll miss out.

If you have particular gear items in mind, I’d recommend bookmarking the product pages on Amazon and checking back daily. (Make it a part of your morning routine!) That way, if a sale does go live, you’ll see it immediately.

You should also subscribe to photography blogs and websites like Canon Rumors, Nikon Rumors, and Sony Alpha Rumors. In addition to bringing you the latest gear-related information on upcoming camera specs and release dates, these sites frequently post top camera, lens, and accessory deals. (They’re fast, too; they often seem to know about the best deals before everybody else.)

Another tip is to wait for certain sale “holidays.” Black Friday, Cyber Monday, and Amazon Prime Day almost always result in massive gear discounts, so I encourage you to mark them in your calendar and determine the gear you want to buy in advance. Then, when the holiday rolls around, you can snap it all up!

2. Buy your gear just before or after a new release

Most camera manufacturers have a fairly regular product release cycle. Many full-frame and APS-C camera manufacturers release a new product every two years, while GoPro releases a new Hero every year. (The steady release cycle of cameras has been disrupted somewhat by the turn toward mirrorless technology and COVID-19 supply-line issues, but if you do careful research and/or follow rumor sites, you should be able to expect new models before they hit the shelves.)

Why is this useful?

While purchasing a camera or lens right after the public release won’t save you money, previous models often receive a big price cut. Additionally, current owners will be looking to sell, which means you can get great deals on sites such as eBay and Facebook Marketplace. And if you know in advance when new models will launch, you can start putting aside money and plan for the moment you can take advantage of the bargain prices.

If you’re serious about purchasing the new model, you can also save money by waiting six months to a year after its release. Then you’ll start to see deals pop up. Not only will the price likely drop, but camera stores are also likely to create product bundles that throw in extra goodies such as Adobe Photoshop subscriptions, memory cards, camera bags, and more.

3. Consider third-party options

There aren’t many third-party camera bodies out there, but there are plenty of third-party lenses and accessories, and I highly recommend giving them a look.

For a long time, third-party products were seen as inferior. However, companies such as Sigma and Tamron have really upped their game. They’re now producing high-quality lenses that rival the quality of those made by original camera manufacturers – and they’re often significantly cheaper. (Also, third-party brands sometimes offer unusual items that are difficult or impossible to get via original manufacturers, such as soft-focus lenses.)

So the next time you’re looking for a new piece of glass for your camera, definitely consider the third-party options out there. You might find a great lens for an even greater price!

4. Buy used or refurbished

Cameras and lenses are made to last. As long as they’ve been well-cared for, they hold their value and their quality.

So if you’re in the market for camera gear, definitely consider buying used or refurbished products, which often come at bargain prices. The process can seem (understandably) intimidating, and there are several ways to go about it, each with its own degree of risk.

One option is to buy locally via an online store such as Facebook Marketplace. This is the most dangerous option; you’ll need to evaluate the product in person, and there’s often little chance of a refund if the product is defective. However, this method also gives you the most wiggle room for negotiating a better price, and because the selling platform doesn’t necessarily take a cut of the sale, prices can be especially low.

Another way to buy used or refurbished is to look on major resale sites such as eBay. (Amazon is another good option with a slew of used product listings.) These websites will back your purchase with various guarantees, but you do need to be careful and ask plenty of questions before buying. You’ll also need to thoroughly inspect the product upon receipt; sellers won’t necessarily disclose (or even recognize) issues, so you need to be hyper-vigilant.

Finally, you can purchase gear from a camera store. Nearly all major online camera retailers – including B&H Photo and Adorama – have a “used” section with discounted gear. And there are also websites such as KEH that specialize in buying and selling used gear.

The benefit of using a dedicated photography site is security. In most cases, your purchase will be covered by the store, the gear will be inspected by a technician for flaws, and you’ll be able to return the item in case of a defect. However, prices tend to be on the high side, plus there’s no room for negotiation, so the price you see is what you’ll have to pay.

5. Rent gear

Maybe you’re traveling to Africa and you know you’ll need a blazing-fast camera and a long lens. Maybe you’re planning to shoot your friend’s wedding and you want a bag full of fast glass.

You plan to just go online, find the right equipment, and just hit that “Buy” button.

But before you do, ask yourself: “Do I really need to own that?”

If you’ll only be using a camera, lens, or accessory for a single photoshoot or trip, it might be better to rent the gear temporarily and return it once your project is complete. This is especially true when using specialty lenses such as super-telephoto zooms that retail for $10,000+.

If you like this approach, find a nearby camera store and see if they offer gear rental services. Another option is BorrowLenses, a website that specializes in renting out camera gear for reasonable prices. (They also sell used gear, so you might consider making some money-saving purchases while you’re at it!)

6. Use credit card rewards

If you’re diligent about paying off your purchases each month, it might make sense to apply for a credit card with a good rewards system. There are camera-specific credit cards, such as B&H’s Payboo card, that reimburse you for sales tax. And there are more general credit cards that allow you to get points or money back from a wider variety of purchases.

Personally, I’m a fan of the Amazon Prime Store card. It gives you 5% back on all items plus the option to finance big purchases (i.e., cameras!). Either way, do your research and see if you can find a card that suits you. Of course, be sure to pay the card off on a regular basis; otherwise, it will cost you money.

How to save money on camera gear: final words

Well, there you have it:

Six ways to save some money on cameras, lenses, and photography accessories.

Hopefully, you can use these options to make bigger, better, cheaper purchases!

Now over to you:

Do you have any tips to add to the list? How do you plan to save money on camera gear? Share your thoughts in the comments below!

The post How to Save Money on Camera Gear: 6 Easy Ways appeared first on Digital Photography School. It was authored by Suzi Pratt.

All photographers find themselves suffering from Gear Acquisition Syndrome (or GAS, if you don’t mind) at one time or another. It’s easy to fall into the trap of thinking that the next piece of gear is the missing puzzle piece that will magically transform you into a master photographer. So you keep buying, and buying, and buying some more, until you find yourself surrounded by a mountain of camera bodies, lenses of every focal length, lighting equipment that could rival a Hollywood studio, and enough tripods to start your own store.

Am I exaggerating for effect? Maybe a little. But falling into the trap of thinking that buying a new camera, lens, or photo accessory will instantly level up your photography skills is something we’ve all been guilty of doing, and it’s essential that you address the problem before you’re left with a sense of frustration and a disturbingly empty bank account.

Fortunately, there are effective approaches to keep GAS at bay and ensure that your gear collection doesn’t spiral out of control. In this article, we will explore a handful of strategies that will help you make informed decisions, prioritize your investments, and make the most out of the gear you already have.

Ready to tame that Gear Acquisition Syndrome? Let’s dive right in!

1. Keep your kit lens

One of the first mistakes many photographers make after mastering their DSLR is hastily selling off their trusty kit lens in pursuit of pricier glass. But hold your horses, my friends, because that’s not the way to go.

Here’s the deal: Kit lenses may not be the most glamorous, but they pack a punch when it comes to versatility and convenience. Despite their limitations, they can deliver the results you desire in most situations. So, let’s not be too quick to dismiss them. In fact, keeping your kit lens by your side can be a game-changer.

Typically covering a range of 17-55mm, these lenses offer a nifty blend of wide-angle and short telephoto capabilities, especially on APS-C cameras. This means they can handle everything from expansive landscapes to stunning portraits with ease. And here’s the real kicker: when you find yourself yearning for that jaw-dropping, wallet-draining wide-angle lens, your trusty kit lens can save the day.

Instead of splurging your hard-earned cash right away, take a moment to experiment with your kit lens. It allows you to test the waters, explore new interests, and figure out if that shiny new lens is a true necessity or just a passing temptation.

2. Change your environment, not your gear

Often, Gear Acquisition Syndrome creeps in when boredom or a sense of stagnation takes hold. You start feeling like your photography isn’t improving, and the only solution seems to be splurging on more gear.

Thankfully, there’s another path to reignite your creativity. In my experience, the simplest way to breathe new life into your photography with the equipment you already have is to change what you’re capturing. Embark on a spontaneous road trip, let the sea inspire you, conquer a hill for an awe-inspiring view, or venture into a different neighborhood and uncover its hidden gems.

But don’t worry, it’s not all about travel. If you’re always capturing landscapes, switch it up and see how your skills translate to portraiture. And if you’re passionate about still-life photos, get creative by visiting a local hardware store and grabbing wooden planks and marble tiles to use as unique backdrops in your images.

Boredom is a sneaky adversary, but by shaking up your surroundings and seeking out new subjects, you’ll instantly tap into a wellspring of inspiration. Best of all, this approach is much more affordable than constantly indulging in new cameras or lenses.

3. Get up early to shoot

It’s a piece of advice that gets thrown around so often, it’s practically a cliché. But let’s face it—it’s true. Setting that alarm clock a little earlier and rising with the sun is a game-changer for your photography, and it won’t cost you a penny.

There’s something magical about the light at sunrise. It paints the world with a crisp, misty, lemony glow that brings scenes to life.

And if you’re more of an afternoon person, consider waiting for those evening moments when the sky is drenched in rich hues of red and gold. These golden hour lights have the power to transform any subject, turning an ordinary scene into something extraordinary. No fancy lens purchase can replicate the wonders of nature’s shifting light.

By embracing the early bird advantage, you open yourself up to a limitless spectrum of light that adds depth, drama, and a touch of enchantment to your photographs. It’s a secret weapon that can elevate your images from good to breathtaking. So, set that alarm, rise before the world awakens, and witness the magic unfold before your lens. Trust me, it’s an experience worth savoring.

4. Join an ongoing photography challenge

Joining a photo challenge can breathe new life into your photography journey. Whether it’s a daily 365 photo challenge, a focused 30-day photo sprint, or a weekly challenge, it has the power to refresh your eye for photography. They not only help you avoid creative roadblocks but also allow you to build a compelling body of work over time. So why not dive in and let the challenges spark your creativity?

Shaking up your shooting approach can often be more impactful than changing your gear. Have you tried experimenting with HDR photography? How about exploring new post-production techniques to enhance your images? Or perhaps embark on a photo series that demands a symmetrical perspective. These challenges provide an opportunity to step out of your comfort zone and explore new horizons, all without the need to splurge on new gear.

Photo challenges are not just about pushing your technical skills, but also about discovering fresh techniques and ideas. Embrace the excitement of trying something different, breaking free from routine, and capturing images that surprise even yourself. So, take the plunge, embrace the challenges, and watch as your photography blossoms into new realms of creativity!

5. Limit yourself

They say the best camera is the one you have with you. We often get so fixated on the gear we think we need that we forget the most crucial element in creating a great picture: the photographer. Exceptional photography stems from the creative eye behind the camera, not the camera itself.

Instead of constantly chasing new gear, why not take a break and challenge yourself to use just your phone camera? It might sound crazy, but limitations can be the catalyst for creativity. Embracing a more basic tool forces you to focus on the core principles of photography: composition, color, texture, symmetry, subject, style, and more. This minimalist approach sharpens your eye, and when you eventually return to your beloved gear, it will feel like unlocking a treasure trove of possibilities.

6. Try macro photography without a macro lens

Some types of photography may seem impossible without investing in specialized equipment. Macro photography often falls into that category. After all, how can you achieve the necessary close focus without a dedicated macro lens? But fear not, because there are a few clever ways to dip your toes into macro photography before making a costly purchase.

Let’s start with a technique called freelensing. Imagine detaching your lens from the camera’s lens mount and holding it freely in front of the sensor. As you move the lens back and forth, something magical happens. You not only capture a dreamy, light-leaked aesthetic but also unlock the lens’s ability to focus at much closer distances. It’s a cost-free method to test the waters of macro photography. However, keep in mind that controlling light leaks can be tricky, and achieving a steady shot becomes nearly impossible.

To overcome these challenges, consider using extension tubes. These inexpensive tubes mimic the effects of free lensing while minimizing light leaks and reducing camera shake. If you’re willing to spend a bit more, you can even opt for auto-focus (AF) equipped versions. These affordable solutions allow you to explore the world of macro photography without making a significant dent in your bank balance, unlike purchasing a dedicated macro lens.

7. Collaborate with models

When you find yourself trapped in a creative rut, fixated on acquiring new gear as a solution, why not break free from that cycle and try something different? Instead of solely focusing on gear, consider working with new and inspiring subjects instead.

Platforms like Model Mayhem or Purple Port offer opportunities to connect and collaborate with talented models. It’s a chance to infuse fresh energy into your photography. Working with models opens up a world of possibilities to experiment with new techniques and styles. And remember, it’s not just about portraiture—food photographers may need models to be the hands in their images, while lifestyle photographers may require someone to build a campfire in a captivating landscape scene. Let your imagination run wild and explore the endless creative potential that collaboration brings.

8. Shop for bargains

When you find yourself teetering on the edge of succumbing to Gear Acquisition Syndrome (GAS), there’s still hope to satisfy your craving without breaking the bank. Explore the realm of bargain hunting, and you might just stumble upon hidden treasures that won’t drain your wallet.

Start by scouring platforms like eBay and Etsy, where unexpected gems await. Vintage lenses, with their remarkable optics, can be found at a fraction of the price of their modern counterparts. Just ensure you have the right adapter for your lens mount, and you’ll unlock a world of photographic possibilities without emptying your pockets.

But that’s not all. Reputable sellers like B&H Photo Video offer a wide array of secondhand cameras, lenses, tripods, and lighting gear. Rest assured, these items are thoroughly tested to guarantee they’re in working order. Plus, you might even score a warranty, giving you peace of mind while saving potentially hundreds on your purchase.

And remember, patience pays off! Keep a vigilant eye out for sales on new gear. Even the latest and greatest gadgets sometimes get their price slashed. So, if you can resist the immediate gratification and wait for the opportune moment, you could snag that shiny new camera or lens at a tantalizingly low price.

How to avoid Gear Acquisition Syndrome: final words

It might be hard to believe at first, but the real magic of photography lies not in the number of gadgets and gizmos in your camera bag, but in your ability to see the world through a lens and capture moments that stir the soul.

Gear Acquisition Syndrome (GAS) will lure you with promises of pixel-perfect images and unlimited creative possibilities. But you must resist and stay focused on what truly matters: your vision, your passion, and your unique perspective.

Instead of constantly chasing the latest and greatest gear, take a step back and evaluate what you truly need to enhance your photography. It’ll help you improve far faster than simply hitting the “Buy” button on cameras and lenses.

Now over to you:

Do you suffer from Gear Acquisition Syndrome? Do you have any additional tips that I missed? Share your thoughts in the comments below!

The post 8 Effective Ways to Avoid Gear Acquisition Syndrome appeared first on Digital Photography School. It was authored by Peter.

Has this ever happened to you?

1. You are on vacation at the beach. You decide to photograph the sunrise or sunset, so you grab your camera from your hotel room and head out. You get to the perfect spot and look through the viewfinder at the beautiful sunrise/sunset – only to find that your lens is completely fogged over. You wipe away the condensation from the front of the lens, but it instantly comes right back. Over and over again.
2. You’re in your car, and you spot something you want to photograph. You pull over, hop out, and set up the shot – only to find that the lens is fogged over, and every time you wipe it away, the fog comes right back. You miss the shot.

In coastal and tropical environments, lens fog happens all the time. Transferring your camera and lens from a cool, low-humidity location like your car or hotel room to a warmer, high-humidity environment causes condensation to form on the lens – which, in turn, causes you to miss photos (and can increase lens issues down the road).

Plus, humid environments are where most folks go on vacation/holiday, and therefore where they tend to take the most pictures. Meaning that the foggy lens problem ruins a lot of shots.

So what do you do? How do you keep a camera from fogging up? And once it’s happened, how do you deal with the condensation? Is there any way to defog a lens?

Read on to find out.

Dealing with a foggy lens

So how do you fix this problem?

Well, I have bad news:

Once your lens is foggy, there’s not a quick and easy fix. There are a few things you can try, which will be addressed at the end of the article, but you just have to keep wiping off your lens and waiting for it to acclimate. This can take a while. Sometimes it just takes a few minutes for the lens to acclimate and stop fogging over, but other times it can take half an hour.

So: since there’s no on-the-spot fix, you have to avoid the problem in the first place – by letting your camera and lens acclimate ahead of time.

Obviously, you cannot just leave your camera bag lying around outside. You will need to let everything acclimate safely. Here are some tips for preventing a foggy lens while keeping your camera gear safe:

1. Leave the camera outside (but in a safe place)

If you have a secure hotel balcony, you might put your camera and lens outside to let them acclimate. You probably don’t want to leave gear out overnight, though. Security concerns aside, the coastal environment is not friendly to electronics, and prolonged exposure isn’t great for your camera. You can, however, place the camera and lens out on the balcony or other secure place while you prepare to go out. (Leaving them outside for 30 minutes or so ought to be sufficient.)

If you are getting up early to shoot a sunrise, for example, you might place your camera and primary lens outside immediately after you wake up, and let them acclimate while you are getting ready to go. That will give them some time to fog up and defog before you need to shoot.

(Also, once you’re ready to go, place your camera and lens in your camera bag while still outside, zip it up, then bring it in. You don’t want to reverse all your acclimation work by causing your equipment to cool down all over again!)

2. Keep the camera in the trunk

When you are driving around or headed to your photo shoot location, keep your camera and lenses in the trunk of your car. That way, they avoid the air conditioning and can acclimate to the outside temperature and humidity.

Sometimes, however, you want to keep your camera handy (just in case you come across a great shot). If that’s the case, turn the AC off and roll down the windows. This will keep your camera and lens out of the air conditioning so they acclimate to the temperature and humidity outside, while ensuring you can still grab a shot or two if need be.

3. Get your equipment out of the bag

If you leave your camera and lens in a zipped-up camera bag, the acclimation process will take far longer. A camera bag, while certainly not airtight, will prevent airflow and keep your camera and lens surrounded by cool, dry air – which will cause condensation the moment you open your gear up to the surroundings.

Instead, when you are acclimatizing the camera and lens – whether that be on the hotel balcony, in the trunk of your car, or some other place – keep them outside the camera bag.

4. Remove the caps and filters

The front of your lens likely has the biggest problem with condensation, so that’s the part you should spend the most time and effort acclimating.

While there aren’t many ways to focus acclimation on a specific lens element, you can take off any filters or lens caps. You don’t want an ND filter or a lens cap keeping the warm air from equalizing the temperatures. Because as soon as you take either of these elements off to shoot, the warm air will rush in – and the fogging will occur.

5. Keep a microfiber cloth handy

Once the condensation happens, you just have to ride it out until your camera and lens acclimate. At the same time, you should periodically wipe off the front of the lens. That way, you can see if the condensation is going to return, and whether you can start shooting. If you are not wiping the lens off periodically, you just won’t know.

In addition, if the fogging isn’t too severe, you can wipe off the lens and then quickly snap a shot or two before the lens starts fogging up again. That usually works after the acclimation process has been going on for a while.

So keep a microfiber cloth handy for this reason. If you don’t have one, you can use whatever is available to wipe off your lens, like your shirt (I’d like to scoff at the idea, but I’ve been forced to wipe lenses with my shirt many times).

Before your outing, buy a couple of clip-on microfiber cloths that come in little pouches. You can just clip one to your camera strap and you’ll always have it handy. This will also keep you from having to dig through your bag to find your cloth (because they always head to the bottom in a hard-to-reach corner!).

6. Fix it in post-production

A picture with any significant fogginess due to condensation is a goner. You will not be able to save it.

But if the picture only has a minor amount of fogginess, you can try to clear it up. There are no surefire cures, but my suggestions below will help in some cases.

Your first thought should probably be to increase the contrast and clarity in Lightroom or ACR. That will work a little bit, but a slightly stronger move is to take the photo into the LAB color space and perform a basic LAB color enhancement. A fortunate side-effect of the color enhancement is that you’ll remove haze from the picture.

Again, neither tactic is a magic wand, but they can help.

Avoiding a foggy lens: final words

Condensation is definitely a trap for the unwary. Light conditions change fast. Optimal conditions at sunrise and sunset are fleeting. You don’t want to be standing around waiting for the condensation on your lens to disappear!

So take steps to avoid the problem. Acclimate your camera and lens ahead of time, then make sure you are wiping off the front of your lens periodically. It will keep you from missing shots when the light is optimal!

Now over to you:

Do you have any advice for dealing with camera and lens condensation? Any defogging tips or tricks? Share your thoughts in the comments below!

The post 6 Tips for Avoiding a Foggy Lens appeared first on Digital Photography School. It was authored by Christina N Dickson.